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Archetype Cards: An 80-card Deck with instruction booklet

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The Artist archetype embodies the passion to express a dimension of life that is just beyond the five senses. The Artist psyche is animated with the energy to express it into physical forms. The nature or relative grandeur of any form of expression is irrelevant; a chef can be as much of an artist as a painter or landscaper. The signature of artists is not in what they do but in how intense their motivation is to manifest the extraordinary. Doing what you do in such a way that you create an emotional field that inspires others also indicates the Artist energy at work, as does the emotional and psychological need to express yourself so much that your well-being is wrapped up in this energy. Fiction: Dodsworth by Sinclair Lewis; “The Dilettante” by Edith Wharton. Don Juan (Casanova, Gigolo, Seducer, Sex Addict) She initially started her career as a journalist and, after completing a Master’s degree in theology, she co-founded Stillpoint Publishing, where she led the editorial department. There she was responsible for producing books in the fields of holistic health and human consciousness. Fiction: Tom Jones by Henry Fielding; The Unbearable Lightness of Being by Milan Kundera; Les Liaisons Dangereuses by P. Choderlos DeLaclos. The Martyr archetype is well known in two arenas: as a classic political or religious figure, and in the self-help world of contemporary psychology. Within the self-help field, the shadow Martyr is viewed as a person who has learned to utilize a combination of service and suffering for others as the primary means of controlling and manipulating her environment. Ironically, in the social and political world, the martyr is often highly

The shadow of both the Healer and Wounded Healer manifests through a desire to take advantage of those who need help, including claims that you can heal any and every illness a person has. Films: Charles Laughton in The Private Life of King Henry VIII; Yul Brynner in The King and I; Richard Gere in King David; Paul Scofield in King Lear (1971); Christopher Walken in The King of New York (shadow extraordinaire). We tend to think of Liberators as great military and political leaders who free an entire country or people from servitude, such as Mahatma Gandhi, Abraham Lincoln, SimCn Bol_var of Venezuela, Nelson Mandela, and, depending on your politics, Lenin, Castro, and Che Guevara. But in everyday life, any number of people can play a similar role on a smaller scale, helping to liberate us from the tyranny of self-inflicted negative thought patterns and beliefs, spiritual sluggishness, poor nutrition, destructive relationships, or addictive behavior. This archetype can be an invaluable ally in helping to free us from old, entrenched beliefs and attitudes that have been inculcated from without, much like colonial occupying armies. Jesus, Muhammad, and the Buddha were Liberators in this sense, offering options to the violence, suffering, and spiritual stagnation of their respective times and places. You do not have to be a charismatic leader to have this archetype, however. Thousands of people have taken part in long campaigns to win freedom from various kinds of oppression, from the Freedom Riders of the Civil Rights movement in this country to the Freedom Fighters of the Hungarian Revolution. In reviewing your relationship to this archetype, consider your use of humor in association with power. Since everyone is prone to jesting, you are looking for a connection to a pattern of behavior that is fundamental to your personal protection and survival. In distinguishing Clown from Fool, note that the Fool is connected to arenas of power, while the Clown does his best work as an Everyman, like Ralph Kramden on “The Honeymooners.” Reflect on whether “clowning” around is an essential channel for expressing your emotions over and above simple play. Ask yourself if, like the Fool, you carry truth into closed circles or closed minds. The shadow Advocate manifests in false or negative causes or in committing to causes for personal gain. In evaluting your connection with this archetype, you should ask yourself how much of your life is dedicated to social causes and a willingness to take action.

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The Clown archetype is associated with three major characteristics: making people laugh, making them cry, and wearing a mask that covers one’s own real emotions. The Clown is generally male, with few women playing the role either in literature or the theater. This may well be explained by the social attitude that associates weakness and loss of control with a man who expresses emotions. Therefore, the man has to wear a mask, which often portrays a crying face. The Clown reflects the emotions of the crowd, making an audience laugh by satirizing something they can relate to collectively or by acting out social absurdities. In general, the messages communicated through a Clown’s humor are deeply serious and often critical of the hypocrisy in an individual or in some area of society. Because of the mask he wears, the Clown is allowed–indeed, expected–to cross the boundaries of social acceptance, representing what people would like to do or say themselves. Fiction: Sir Arthur Conan Doyle; Dashiel Hammett, Agatha Christie, Rex Stout, Tom Clancy, John LeCarré.

The female counterpart of Don Juan sometimes adds the twist of killing her conquests as an expression of her ability to dominate, thereby reversing the conventional sexual stereotypes. As with Don Juan, the Femme Fatale represents highly refined skills at manipulating men without investing personal emotion. The Femme Fatale is a sexual and a financial archetype, and either comes from or is drawn to money and power. Seducing men with money and power and for the sake of personal control and survival is a classic part of this archetype, although the Femme Fatale is not looking for a home in the suburbs and the pleasures of family life. The search for physical ecstasy parallels the search for spiritual transformation, a truth that is apparent in the dual identity of the famous Greek icon of pleasure-seeking, Dionysus. Besides being a god of wine and fertility (later adoped by the Romans as Bacchus), Dionysus also represents the goal of mystery religions, like those practiced at Eleusis: ecstatic delivery from the mundane world through the physical or spiritual intoxication induced by secret rites. (See Mystic.) The sacrament of Soma (also a god of the Vedic pantheon) played a similar role in ancient Indian spirituality. The impulse to destroy and rebuild is archetypal. We are bound to that cycle and therein lies the learning. Destruction also refers to releasing that which is destroying us, and, so, many therapists and other healers serve the role of the Destroyer by assisting others to release destructive emotions or behavior. The power of positive destruction is enormously healing and liberating.

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You may also assume that anything divine cannot have a shadow aspect, but that’s not realistic. The shadow of this archetype manifests as an inability to defend itself against negative forces. Even the mythic gods and most spiritual masters — including Jesus, who is the template of the Divine Child for the Christian tradition — simultaneously expressed anger and divine strength when confronting those who claimed to represent heaven while manifesting injustice, arrogance, or other negative qualities (think of Jesus’ wrath at the money-changers in the Temple). Assess your involvement with this archetype by asking whether you see life through the eyes of a benevolent, trusting God/Goddess, or whether you tend to respond initially with fear of being hurt or with a desire to hurt others first. You might begin exploring the meaning of each archetype-to-house partnership, for example, by listing any immediate associations and thoughts that occur to you. Even if you feel resistance to some of the partnerships, don’t suppress any responses that come to you. You are learning a new, multi-dimensional way of perceiving your life, and it may feel awkward at first. For instance, say you matched the Prostitute to your seventh house. You might write: “My Prostitute archetype is in the house of relationships. This means that the fears that cause me to sell myself to the highest bidder generally have more to do with my relationships than with my professional life. I don’t tend to sell out in business dealings, because I have a strong sense of self-esteem in that realm. Yet my fear of rejection leads me to cling compulsively to relationships that don’t serve my spiritual needs.” The shadow Liberator manifests in those who would liberate us from one tyrant only to impose their own tyranny over our lives–corporate, political, religious, and spiritual leaders who speak of freedom as a way to their individual aggrandizement. Religion/Myth: Marpa (Buddhist master and guru of Milarepa who guided him through arduous tasks to become the greatest yogi of Tibet); Healer (Wounded Healer, Intuitive Healer, Caregiver, Nurse, Therapist, Analyst, Counselor) The Needy or Dependent Child carries a heavy feeling inside that nothing is ever enough, and is always seeking to replace something lost in childhood – although exactly what is never clear. As with the Wounded Child, this leads to bouts of depression, only more severe. The Dependent Child tends to be focused on his own needs, often unable to see the needs of others. As with all apparently negative archetypes, you can learn to recognize its emergence and use it as a guide to alert you when you are in danger of falling into needy, self-absorbed attitudes and behavior. Divine Child

Religion/Myth: Persephone (in Greek myth, the daughter of Demeter, who was abducted to Hades and was associated with the agricultural cycles of growth and harvest); St. Francis of Assisi (Catholic friar said to have communicated with animals). Child: Puer/Puella Eternis (Eternal Boy/Girl)

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This final step is considerably more complex than what has preceded, and I recommend that you consult “Sacred Contracts” for a detailed description of how to proceed. Once you have paired the archetypes with their houses, you have generated a unique energy field that represents the symbolic hologram of your unconscious. In brief, you will again ask yourself a series of questions (which appear in Chapter 8 of my book) to determine the deeper significance and the many ramifications of these pairings.

The outline of your Sacred Contract may have been agreed on before your birth, yet the way in which you respond to the challenges presented to you, and how you choose to interact with the people with whom you have Contracts, is fully up to you. If your choices are made unconsciously and you act defensively and fearfully, you may not learn and grow as you should. The more conscious you can remain about the archetypal patterns influencing your behavior, the more likely that your choices, and lessons, will be positive. Now let’s take a brief look at each of the four survival archetypes and see how you can learn from them. The Child The Guide takes the role of Teacher to a spiritual level, teaching not only the beliefs and practices that make up established religions, but also the overarching principle of seeing the Divine in every aspect of life. Clearly you do not have to be a professional Preacher or Guru to have this archetype, as we can all learn to lead others spiritually through developing our own intuitive spiritual awareness and passing on whatever we have learned with genuine humility. To count this archetype as part of your support group, however, you will need to discern in your life a continuing pattern of devoting yourself to teaching others from your own spiritual insights. This presupposes that you have gained wisdom through some combination of self-disciplined practice and study and perhaps spontaneous spiritual experiences. Wisdom also comes with age, and so the Crone or Wise Woman represents the ripening of natural insight and the acceptance of what is, allowing one to pass that wisdom on to others. Religion/Myth: Merlin (in Arthurian legend, the “child without a father” who was about to be sacrificed when he saved himself by displaying magic greater than the King’s sorcerers). Child: Nature Religion/Myth: Atalanta (female athlete in Greek myth); Smertios (Celtic war-god portrayed as a bearded athlete); Nike (feminine personification of victory in Greek myth, who runs and flies at great speed). Samson (Nazarite strongman and biblical Judge); Achilles (Greek warrior known for his exceptional might, and the hero of the Iliad); Smertrios (Celtic-Gallic god of war depicted as a bearded athlete). Avenger (Avenging Angel, Savior, Messiah)Religion/Myth: Damon and Pythias (in Christian lore, two young men whose loyalty to each other won their freedom after Pythias was condemned to death); Enkidu (companion created by the gods for Gilgamesh, a natural man who proved a perfect match for the godlike hero king); Eris (Greek goddess of strife and constant companion of the war god, Ares); Apis (holy bull was worshipped in ancient Egypt as the companion of the creator god Ptah); Nike (Greek victory goddess and companion of Athena, goddess of wisdom and war). Damsel (Princess) Religion/Myth: Knights of the Round Table (in medieval English lore, a semi-mythic group of 150 knights including Lancelot, Gawain, Kay, Mordred, Galahad, and others who served under King Arthur); Sir Percival/Parzifal (Knight of the Round Table who got to see the Holy Grail); Fabian (a good knight turned into a forest spirit by his ex-lover, a sorceress, and now dwells in the hills near Prague); Damas (shadow Knight who trapped other knights so that his brother could fight them). Liberator The shadow Judge manifests as consistently destructive criticism, judging without compassion or with a hidden agenda. Legal manipulation, misuse of legal authority, and threatening others through an association with the law are other expressions of the shadow. Such manipulation includes the misuse of business authority as well as conventional legal and criminal authority. Don’t be misled by the name of this archetype. When properly recognized, the Victim can alert you to the possibility that you are about to let yourself be victimized, whether through passivity or inappropriate actions. It can also help you recognize your own tendency to victimize others for personal gain. We need to develop this clarity of insight, however, and that means learning the nature and intensity of the Victim within. Whether a great worldly power or a great physical specimen, the God archetype represents the ultimate in male dominance. On the positive side, a God can be benevolent and compassionate, willing to use his powers to help others out of love for humanity. The shadow God easily becomes a dictator or despot, oppressing others with those same powers, or using his physical attractiveness to get what he wants without ever returning the affection he elicits. To claim this archetype among your support circle of twelve, you need to have a life-long sense of great power, used either selfishly or selflessly.

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